The client's programme for this house in an idyllic Austrian mountain village was clear: ‘a wooden house, full of books and integrated into the environment’. The project is part of a group of houses belonging to the same family where each unit fulfils a programmatic function. In this case, it will be a library as well as a home. Avoiding creating an architecture that is then furnished, the bookcase becomes the backbone element that through repetition forms a neutral volume.
The result is a wooden building, topped by a sloping roof, following the outline of traditional local models.
Premio Asturias de Arquitectura 2025 categoría sin fronteras "Luis Lacasa"
Foto: © Daniel Kotrasch
The intervention focuses on the rehabilitation of a house located in Rioseco, a picturesque village in the Asturian mountains. The listed façade is preserved intact, respecting the characteristic architectural language of the surroundings.
The owners requested an open and playful home, with a slide as a non-negotiable feature. This element, along with the staircase, becomes the central core of the house, acting as a spine that organizes the spaces into functional bands.
The new floor slabs have been strategically repositioned, allowing for increased height in the attic. This space, previously an uninhabitable storage area, is transformed into a multifunctional zone visually connected to the living room through a double-height opening.
On the ground floor, a versatile space has been created that serves as a direct connection to the garden, offering flexibility and adaptability to the users’ needs.
Foto: © Iván Morán G-R
In Luanco, a charming but traditional Asturian fishing village on the Atlantic coast of Spain, a family sought a functional, flexible, and playful house. The project takes a creative approach in its interpretation of stringent traditionalist planning regulations in a bid to reimagine the typical Luanco house. A narrow and deep trapezoidal plot between party walls is flanked by a public cornfield to the south, and a private garden overlooking Luanco port to the north. The depth and proportion of the plan necessitates a connection between the two main facades. From the entry hall, the large dining-kitchen-living room opens generously onto the courtyard, through a folding window that blurs the limit between interior and exterior.
A playful winding stair carves a meandering passage through the house, adapting itself to land on each level to the central space of the house, place of direct connection between the two facades. On the first floor this space gives access to the two bedrooms, the laundry, and the bathroom. On the second floor the connection between the two facades is made by the extrusion of the “Ventana marinera” which at its intersection with the gable roof generates a cross space. The windows frame views of the harbor, the adjacent hills and serve as flexible spaces: desk, games area, living room, bedroom. The four corners around the cross house three closed rooms: a bathroom, a wardrobe, and a utility room as well as a triple height above the first flight of stairs. This vertical space connects all levels and takes advantage of the chimney effect to naturally cool the house.
The large openings on the facade are clad with traditional wooden shutters, as is the front door, which allows for cross ventilation between the two facades in addition to controlling the privacy of the house. These shutters, the eaves and other details are painted a deep blue, in keeping with local tradition, integrating the house into the colorful Soledad Street. The courtyard, bound by an existing horseshoe-shaped stone wall, extends the interior of the house with polished concrete islands that encourage the growth of native vegetation. A small basin cools off the residents on the hottest summer days.
Photo: © Luis Díaz Díaz
The 1934 Kotka City Hall designed by architect Erkki Huttunen is with its simplicity, abstraction, and monumentality, one of the most significant buildings of the Functionalist style in Finland.
The necessity of improving the fire evacuation should not alter the abstract volumetry or the internal functionality of the building. The characteristics, materials, coloring, and furniture of the key interiors (main staircase, lobbies, and meeting rooms) should be preserved and restored.
The evacuation of the council chamber is solved through the 1.5 meters extension of the main volume. The aim is not only to protect the market facade but to protect the overall urban intervention avoiding any new sculptural element competing with the original building. We enlarge the monolith to preserve the clarity rhythm and simplicity of form from any angle of the city.
The addition plays with the original building as a trompe l’oeil, tricking the viewer into distinguishing the original from the new. The new façade will be rendered with the same techniques as the original but introducing recycled glass to play with the similarity in the long distance and differences on the short.
A school center, landmark and meeting place in the new Lamminrahka district. The main volume of the building houses the lobby, restaurant and public areas and is located in the main square of the city creating a landmark within the new urban landscape. The school activities are organized in a staggered manner, adapting to the avenue, breaking the volumetry to a scale in accordance with the surroundings and creating a variety of interstitial outdoor spaces that house the different activities of the school. The organization allows for a large green space to the south that links to the municipal sports facilities.
The designer Robert Stadler, who curated and staged the exhibition, has created an expansive panorama of some 200 objects, drawing on the extensive Vitra archives to juxtapose current products with classics, prototypes, special editions and future visions. The show places a central focus on the social function of furniture in society.
The exhibition ‘Typecasting’ offers a new view of Vitra. In the spacious Pelota arena, a panoramic display of around 200 objects portrays the past, present and future of ‘Project Vitra’. Robert Stadler, who curated and designed the show, emphasizes the social role of furniture – and of chairs in particular – as a key theme. Along with their obvious practical use as seating, chairs have historically always had an additional representative function: the selection of a specific chair is also a personal act of image cultivation.
Photo: © Julien Lanoo
Photo 2: © Marco Menghi
In 2016 the central church of Ylivieska, Finland, was destroyed in an act of arson that levelled the 18th-century wooden structure into a pile of ash. The proposal uses the original church section drawing as a source of design, creating a new building from the act of remembrance and exploring the importance of memory in architecture. The new building serves the function of the former church while creating a contemporary structure that responds to its context in a new way that integrates the renewed ruins of the old temple.
The eight owners of a 1930s residential building coordinate a collective structural and energy renovation of their dwellings. Through the strategic placement of structure and bathrooms the project is able to solve the various layout needs. The two ground floor short rental flats are connected, allowing them to be rented individually or together. The polished concrete terrace is transformed into bleacher seating looking onto the Atlantic garden. The folding door allows the garden to be divided according to whether the flats are rented together or separately. On the first floor, the neighbors opt for a layout of three bedrooms plus living room with integrated kitchen. Our architectural studio on the second floor is configured as a large open space that connects the two facades. The space under the roof on the third floor is used to create a mezzanine and a double height space that reveals the existing wooden truss. The project provides solutions to the different needs of the clients without sacrificing the original character of the building and maximizing its energy efficiency.
Landscape: Marianna Merisi
Foto: © Iván Morán G-R
Set within a forest clearing on the slopes of the Magglingerberg, the new energy centre integrates naturally into its surroundings. Its archaic, functional volumetry aligns with the existing ensemble of sports and training halls, while the landscape is conceived as a green island within the woodland.
The compact building houses technical infrastructure and offers an opportunity to reimagine the clearing, currently shaped by roads, retaining walls, and parking. As the need for vehicle access remains, the landscape redesign focuses on reorganising parking areas to better suit the natural context.
The facility is arranged across two levels, with volumes of varying heights forming a unified whole through the façade design. A subtle reworking of terrain and surfaces creates a climate-resilient, biodiverse, and pedestrian-friendly environment—enhancing the south-western edge of the Magglingen sports centre.
The program for this house in an idyllic Austrian mountain village was clear: "a wooden house, full of books and integrated into the environment". The project is part of a group of houses belonging to the same family. Each unit fulfils a programmatic function within the ensemble, in our case, it will be a library as well as a home. We avoided creating an architecture and then furnishing it: we turned the bookcase into a structural element that through repetition forms a neutral volume. A wooden building, resting on a stone plinth and covered with a pitched roof, in line with the local vernacular.
For our Gijón studio we chose a 1930s residential building as our site. The existing structural system was reinforced with steel profiles, which allowed for longer spans and a generous open space. Exposing the concrete ceiling slab reveals both the original construction technique and traces of the old layout. The service elements are arranged around the building's stair core, creating three spaces: kitchen, office and meeting. A neutral container for the creation of new projects.
Photo: © Iván Morán G-R
RED concept integrates the tradition of the Feltrinelli bookshops with Italian culinary tradition, generating a new cultural space. Two historic residential buildings on Corso Garibaldi were linked for the new RED: a sequence of small spaces on two levels, originally designed for domestic use. A new axis is opened connecting the street with three patios, generating light and spaces that combine the new public scale with the domestic atmosphere of the current building. The old materials and the new steel reinforcements are left “as found” revealing the history of the place.
Photo: © Studio Shafei
RED concept integrates the tradition of the Feltrinelli bookshops with Italian culinary tradition, generating a new cultural space. The RED City Life is located in a new shopping mall close to the centre of Milan. The challenge is to create a specific location within a generic place. A light wood structure defines the limit of the shop while the combination of the program is set on a chessboard layout that allows the user to combine and overlap both functions (bookshop and restaurant) while keeping an independent path for each of them.
Photo: © Iván Morán G-R
El Bosque de la Maga Colibrí is a reading promotion project that combines a quality bookshop with the enhancement of reading in all areas. After becoming a reference at both the regional and state level in their former location, they sought out a new site that would allow for an increased range of activities and a new cultural meeting point for the city.
The project takes advantage of the complexity of the existing furniture warehouse - a linear shop with three distinct entrances - creating areas that can be used together or independently. The collaboration with the client helped to generate program from spaces and spaces from programs in turn.
The bookshop is organized around a ramp/stair that solves accessibility, acts as a bookshelf as well as a reading stand. A large sliding door connects this first space with the workshops and the multifunctional space with its stage excavated on top of an existing parking ramp. The finishes are left white as an architectural background for the vivid figure of the books and activities that take place there.
Photo: Iván Morán G-R
about

Mori Meana is an architectural practice based in Basel with strong roots in Asturias. The studio focuses on high-quality residential architecture and small-scale buildings, developing precise projects from concept to construction. Its work is defined by conceptual clarity, material precision and constructive rigor. Working between Switzerland and Spain, the practice combines international experience with a careful understanding of context and place.
CV

Mateo Mori Meana (Gijón, 1977)
Mateo is a registered architect educated at ETSAS Seville and ETSAB Barcelona. Between 2007 and 2017 he worked at Herzog & de Meuron in Basel, where he led the Porta Volta – Fondazione Feltrinelli project in Milan from concept to completion. During this period, he was involved in several international projects, including the Goya Museum in Zaragoza, an office building at the Novartis Campus in Basel, residential developments in Lugano, and the Slow Food Pavilion at Expo Milano.
Prior to joining Herzog & de Meuron, he collaborated with architectural practices in Seville, Barcelona and Milan.
In 2017 he founded Mori Meana Architecture, establishing an independent practice based in Basel and working between Switzerland and Asturias, focused on high-quality residential architecture and small-scale buildings, developed from concept to construction through a rigorous and precise architectural approach.
Teresa Meana Rodríguez (Asturias, 1982)
Teresa Meana Rodríguez is a registered architect educated at ETSAVA Valladolid and ETS/UPV San Sebastián. In 2010 she worked at ELEMENTAL in Chile, where she developed research on contemporary housing models and social housing strategies.
In 2013 she founded T-M Arquitectura in San Sebastián, developing independent projects and collaborating with various practices, combining professional work with research on industrial heritage and exhibition design.
Since 2017 she collaborates on projects at Mori Meana Architecture, contributing to its development with a rigorous approach and a particular sensitivity to context and the cultural dimension of architecture.
projects

028 Lagasca
Office spaces in Madrid, Spain
Team: Mateo Mori Meana, Teresa Meana
027 Gas Tineo
Biogas Plant in Tineo, Asturias
Team: Mateo Mori Meana, Teresa Meana
026 La Pesa
House in Llanes, Asturias
Team: Mateo Mori Meana, Teresa Meana, Eva Nauta
025 Melchor de Quirós
Office space in Gijón, Asturias
Team: Mateo Mori Meana, Teresa Meana, Beatriz González Yagüe
024 Podes
House in Gozón, Asturias
In collaboration with Miguel Nevado
Team: Mateo Mori Meana, Teresa Meana
023 Magglingen
Magglingen, Switzerland
In collaboration with Lindroos Architects; Blaser Architekten
Team: Osma Lindroos, Christian Blaser, Mateo Mori Meana, Emma Thomas (Landscape), Beatriz González Yagüe, Teresa Meana, Klara Bayer
Competition
022 Monolith
Kotka, Finland
In collaboration with Lindroos Architects
Team: Osma Lindroos, Mateo Mori Meana, Mahdi Davarijoo, Beatriz González Yagüe, Teresa Meana
Competition, honorable mention
021 La Pecuaria, office building
Gijón, Asturias
Team: Mateo Mori Meana, Teresa Meana, Beatriz González Yagüe
Concept Design
020 Carmen 8, hostel
Gijón, Asturias
Team: Mateo Mori Meana, Teresa Meana, Beatriz González Yagüe
Concept Design
019 Archiducs, single family house
Luxembourg
Team: Mateo Mori Meana, Teresa Meana, Beatriz González Yagüe
Concept Design
018 Valdebebas, hospital
Madrid, Spain
Team: Luis F. Inglada, Daniel Florez, Teresa Meana, Beatriz González Yagüe
Concept Design
017 Rioseco, single family house
Sobrescobio, Asturias, Spain
Team: Mateo Mori Meana, Teresa Meana, Beatriz González Yagüe
Completed 2024
016 La Portuguesa, single family house
Somió, Asturias, Spain
Team: Mateo Mori Meana, Teresa Meana, Beatriz González Yagüe
Construction documents, Planned completion 2025
015 Torreflorida, single family house
Somió, Asturias, Spain
Team: Mateo Mori Meana, Teresa Meana, Beatriz González Yagüe
Concept design, Planned completion 2025
014 Amandi, single family house
Villaviciosa, Asturias, Spain
Team: Mateo Mori Meana, Teresa Meana, Beatriz González Yagüe
Concept design. Planned completion 2026
012 Caveda 12, four storey building renovation
Gijón, Asturias, Spain
Team: Mateo Mori Meana, Teresa Meana, Marianna Merisi
Completed 2021
011 Lamminrahka, school center
Finland
In collaboration with Lindroos Architects
Competition 2019
010 Holzhaus, single family house
Styria, Austria
Team: Mateo Mori Meana, Teresa Meana, Miguel Nevado (structure), Beatriz González Yagüe
Completed 2024
009 Casa Gozona, single family house
Luanco, Asturias, Spain
In collaboration with Isla Architects
Team Isla: Marta Colón de Carvajal, Juan Palencia de Sarriá,Vojtech Rada, Cristina Gutiérrez, María Gutiérrez, Silvia Fernández, Leticia Olalquiaga Cubillo
Team MM/A: Mateo Mori Meana, Teresa Meana, Beatriz González Yagüe
Completed 2021
008 Vitra Pelota, temporary exhibition
Salone del Mobile 2018, Milan, Italy
Executive Architect
Completed 2018
007 El Bosque de la Maga Colibrí, Bookshop
Gijón, Spain
Team: Mateo Mori Meana, Teresa Meana, Marilys Meana
Completed 2014
006 RED, Bookshop & Restaurant
Porta Romana, Milan, Italy
Team: Mateo Mori Meana, Teresa Meana, Obelo (comunication)
Completed 2017
005 RED, Bookshop & Restaurant
Via Tomacelli, Roma, Italy
Team: Mateo Mori Meana, Teresa Meana, Obelo (comunication), Marianna Merisi (Landscape)
Completed 2017
003 Feeniks Church
Ylivvieska, Finland
In collaboration with, Lindroos Architects Studio Shafei & Pedrocchi Architects
Competition 2017
002 RED, Bookshop & Restaurant
City Life, Milan, Italy
Team: Mateo Mori Meana, Teresa Meana, Obelo (comunication)
Completed 2017
001 RED, Bookshop & Restaurant
Corso Garibaldi, Milan, Italy
Team: Mateo Mori Meana, Teresa Meana, Obelo (comunication), Marianna Merisi (Landscape)
Completed 2018
contact

St. Johanns-Rheinweg 71
4056 Basel, CH
+41 78 332 92 99
Caveda 12, 2º Izq.
33205 Gijón, Asturias, Spain
T+34 658 399 448
Mail: info@morimeana.com
Instagram: @mori_meana